Friday, April 22, 2011

Pot dogs

` As dog figures go, the Staffordshire Spaniel has no peer. It was a quintessential mantle ornament to any home loving, dog adoring family in Great Britain. I've been making some of my own 'pot dogs'; keeping true to the basic idea but adding embellishments here and there.





One dog above has a bluebird around his neck and dreams of going back home, while the other sits on a river bank as a fish swims silently by .







Cats qualify for the mantle too, especailly tortoiseshell cats. One has a teapot, the other a cup.
The tiny pair in front are salt glazed, about 1820.







The Spaniel mania began in the 1660's when King Charles II came to the throne, his adoring crew of King Charles spaniels capering around him at the palace like a gaggle of geese. And in the center of England, there were the Staffordshire potteries with all that clay, salt , water and coal for firing and the icon of all dog figures was born.







Above, a sample page of more things the potteries produced. This charming page courtesy of



James Kent Potteries and Reggie of Reggie Darling. He has a wonderful blog, and an amazing array of Staffordshire too.



www.reggiedarling.blogspot.com/

All this beauty and whimsy came from this remarkable, bottle kilned, coal spewing, terrible, beautiful area of England. Women, men and children worked in shocking conditions and usually for twelve to sixteen hours a day. At one time more than 100 seperate potteries operated here, the center of the pottery world.








My little piece of history, a small black elephant.





When Victoria became Queen, her Spaniel, Dash came along too. Right after her coronation she returned to the Palace, hurried upstairs and gave Dash a bath. There's a woman who has her priorities in line!






Even though I walk by a rose covered bower on my way to work, I still felt a connection to the hard working, brave craftsmen and women in whose footsteps I followed as I painted these, and they are very hard footsteps to fill, even with my size nine shoes.
xxx



julie











juliewhitmorepottery.etsy.com

Wednesday, March 30, 2011

beautiful japan

Japan is rich in many things, and symbolism is one of them. The Cherry blossom is compared to the fleeting cloud , its beauty and swiftness of life. I've been thinking about Japan and all it has given to the world of art and of culture. Not just their brilliant pottery, woodcuts and the haiku poetry but their grace and dignity in the face of this recent disaster.
Since the third century people have gathered under the cherry trees for celebration of life.

I have watched like you have how the earthquake and tsunami has seemed to weave them more tightly together, their stoicism and and sometimes selflessness heart wrenching. Like the workers who stayed behind at Fukushima , risking their lives so others might be safe.
I've made a bluebird perched on a mound of cherry blossom and offer it for sale,

all the proceeds to go to Save the Children for Japan. If anyone is interested, bluebird is five inches tall and six wide. **This little bird is flying away, Thank you so much , Jacki!xx
The bluebird because it brings luck and happiness. He is 90 dollars and that includes shipping.


Also a pottery friend , Maki, has a 1,000 bird project on her blog and is making wonderful bird chopstick rests, all proceeds to help Japan





The goldfish in Japan symbolizes perserverence in adversity, watching them takes the viewer to otherworldly states, as these rabbits will testify to!The temple bell stops.

But the sound keeps coming

out of the flowers


Basho


xx

julie


juliewhitmorepottery.etsy.com

Monday, March 7, 2011

1810

1810 was a banner year for crafts. Samplers, silouettes, and paper mache flourished.
In Staffordshire, the world's pottery center in 1810, classical themes were abandoned and potteries began to represent current events in their pieces. This couple are wearing the fashions of the time. Tee Totaling was popular, but you can see the mister isn't too happy about it.
This was made while Jane Austen was writing Sense and Sensiblity down the road apiece. And Beethoven was preforming live in Germany.

So when Ann Wood offered a tutorial on her blog, one for a cup that reminded me of early nineteenth century pottery, I printed it out and bought a tub of wallpaper paste. I have alot of pent up paper mache love. My theme for the cups is 1810, even the paper on the butterfly cup is 200 years old. When you moisten the newspaper with the paste its very much like clay. And the pattern is so refined; Ann is not only brilliant, but generous.


Here is a pile of paper crockery of Ann's, showing how evenly she lays the paper strips.



One of Ann's other creations. All can be seen here:

French paper mache doll head of the era.


Just like the ones Jane wore as she dipped her pen nib into an inkwell and scribbled away.


I took Ann's pattern to the print shop and had it enlarged to make this loving cup.
The best part was adding the gold ink to make it sparkle a bit.


Listing as promised today and tomorrow



And over the weekend I went looking for spring.
I think I found it!
xxx










juliewhitmorepottery.etsy.com

Animals who garden

Animals who garden
Donkey with green paw